I think I've heard potters from at least 20 states claiming the face jug first appeared in their state. I live and make pots in what was called the Old Edgefield District of South Carolina. What is known as fact is that face jugs were made at the Col. Thomas Davies Factory near Bath, SC, at the Miles Mill stoneware factory and the B.F. Landrum Factory at Sunnybrooke near Vaucluse, SC in present day Aiken County.
It is believed that the slaves at some of the SC stoneware factories were allowed to make objects of their choosing during time when they were not working. Edwin Atlee Barber in his 1898 volume on Porcelain and Ceramics in America actually interviewed Col. Thomas J. Davies, owner of Palmetto Firebrick Works. Davies describes some of the slaves making these face vessels. Davies business ledgers show he owned 23 of the Wanderer slaves. I do believe the slaves were the makers and originators of these early crude face jugs. These early pieces had emphasis on the wite kaolin eyes and teeth. The glaze was wiped off of them before firing.
At about the same time Southern Porcelain was in operation (late1850's), Col. Thomas Davies set up his factory (1862), the Palmetto Fire Brick Company next door making refractory fire brick and, later, ceramic items for use in Confederate hospitals. Slaves working for him may have been exposed to the Toby or face-style mugs and pitchers. I've done extensive research at the Southern Porcelain site and have found other spooky-looking satyrs on the porcelain molded pieces which were made there and could also have influenced slaves (see photo of shard) The slaves who worked in these potteries at various tasks, were considered more valuable than average slaves and were often "rented" out to neighboring potteries to settle debts or to generate additional income for their master. Numerous records in existence show this to be fact.
The Edgefield area and present day Aiken County had around 25 or so of these early stoneware factories operating from 1810 until about 1930. They produced millions of gallons of utilitarian items such as jugs, churns, jars, etc. This area was a proving ground. Many potters, black and white, learned their skills here and later migrated on to all of the southern states and as far west as Texas and even to Ohio. Most likely they carried the notion of the face jug with them.
Face jugs/pitchers/mugs have been made prior to the Edgefield face jugs. Even in ancient Egypt. Most of them are highly modeled and finished. It appears the Edgefield-style of crude face jugs, which is the subject of this piece, appeared about the same time (late 1850's) as the slaves from the Wanderer slave ship. The slaves were transported up the Savannah River to the Augusta, GA/ Edgefield, SC area from the Congo River in Western Africa. Some of these Wanderer slaves, i.e. "Romeo", Ward Lee and Tucker Henderson (pictured here after freedom) lived their lives out around the Miles Mill and the BF Landrum potteries near Eureka and Vaucluse, SC (present Aiken County) where these face jugs were found (from census records).
These 3 slaves, as well as the other Wanderer slaves achieved somewhat of a celebrity status throughout the country. The Wanderer's owner, Charles Lamar, had secretly smuggled these Congo-born African Americans into this country and violated the laws against slave importation which had been in effect for many years, making them some of the last captured humans pressed into slavery in the USA. They were the only group of slaves known collectively by the name of their ship of arrival. This triggered a congessional investigation and preceeding trial of the owner and captain of the ship. The trial, held in South Carolina, ended with a slap on the wrist for Lamar and was a mockery of justice carried forth by those who's interests were served by perpetuation of slavery. Lamar was allowed to serve his brief "time" in his luxury apartment in Savannah under house arrest.
The other pottery where face jugs were found was at the Col. Thomas Davies' Palmetto Firebrick Factory near Kaolin, SC. Some 137 of the Wanderer slaves disembarked from the steamboat Augusta at a wood yard near the Davies Factory on the SC side of the Savannah River. Charles Lamar, who owned the slave ship Wanderer, owned lands around Davies' pottery and also had interests in the Southern Porcelain Company at Kaolin, SC. Interestingly, Lamar was one of the last casualties of the war as he foolishly made a target of himself in a feined cavalry charge in Columbus, GA.
Upon examination, the crude Edgefield face jugs share many similarities with the reliquary objects from the area around western equatorial Africa where the Wanderer slaves came from, especially the fang peoples. These ceremonial wood carvings often had repeated applications of kaolin applied to the eyes
and teeth, much as kaolin was added to the face jugs for eyes and teeth in the Edgefield area potteries as a prominent feature. (Kaolin is a white china clay which is mined in South Carolina and Georgia on a large scale) Almost every decision and event, from crop planting to war, in the West African cultures involved the consultation of ancestoral spirits through these carved faces and masks in ceremonies and rituals. Fragments of ancestoral skulls, teeth and bone were stored in lidded bark baskets. The carved wooden heads and statues, called "byeri", were mounted on top of these sacred bone holding baskets.
It is easy to see that the Wanderer slaves who settled in and worked the potteries of the Edgefield area along Horse Creek would have been devastated without the single most important cultural item which they had to leave behind in Africa. Without concrete evidence, we can only visually compare these two different mediums for similarities, while realizing this crude style of face jug was not made prior to the Wanderer slaves arrival. Face jugs did spread across many parts of the USA after the 1860's, as potters migrated from the proving grounds of the Edgefield potteries. Take time to look at these byeri. The location and placement of facial features is remarkably similar to the Edgefield face jugs now in collections. It was also common in this region of West Africa to make ceramic effigies with human traits. Only certain tribal members could "blow" life into these vessels, giving them powers.
These 3 photos are carved-wood byeri from the Congo area, Central West Africa, circa 18oo’s
Following are several face jugs which are attributed to the BF Landrum, Miles Mill and Col. Thomas Davies pottery and are suspected to be slave-made.